"Rectoversion and Quantum Physics", Michel De Caso, 32 pages, format A4, ADAP, 2003.
This study resumes the web rubric "the 'rectoversé' page" N°19 and N°20 and gives for object to examine the surprising correspondences between the 'rectoversé' and quantum visions and, quite specially, those of Stephane Lupasco and Basarab Nicolescu.(only in French)

"The Metaphysics of Rectoversion", Alexandre L'Hôpital-Navarre, ADAP, 80 pages, 2002.
Born in 1972, Alexandre L'Hôpital-Navarre follows the artistic evolution of Michel De Caso for several years. Enthused by the aptness of Rectoversion, he wished to share his points of view and his analysis on the work of the artist.(only in French)

The theoretical core is the book "Rectoversion, the exit" published by the A.D.A.P. in 2001. This 356 page book revisits the texts written by Michel De Caso between 1985 and 2000. (only in French)

It follows on from "Rectoversion, analogies and differences" (54 pages, ADAP, 2000) which compares "rectoversé" paintings with other works, mainly contemporary, to analyze their convergencies and differences.(only in French)

However, the "Rectoversion, history" booklet (18 pages full colour, Hélioservice, 2000) presents a selection of works which led MdC to "rectoversion" in 1991. The detailed explaination of the "rectoversion" process applied to the " rectoversé" monochrome (1991-92) is reproduced in this booklet. (in French, English and Spanish)

The Association De Caso Artiste Plasticien (A.D.A.P.) was created in order to enhance the awareness of "rectoversion " whose metaphysical prolongations are just as important as its visual aspects. One of its objectives is to develop an artistic and cultural 'movement' based on this concept .

To concretize the dynamics of "rectoversé" thought, the A.D.A.P. has its own Internet site. This makes it possible to confront the various points of view that this concept generates. The authors can be artists engaged in a visual search but they can also work in any other field. "Rectoversion" is inherent to the mobility of complexity and, being fundamentally innovative, turns to an unmarked, untraced universe and feeds on differences rather than rejecting them.




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